A divorced middle-aged Italian film director (Tomas Millian) is seeking meaning and love in both his life and his film. He becomes involved with an aristocratic woman, but trouble ensues when he begins to receive anonymous threats demanding that he abandon the relationship.
When the woman mysteriously disappears, the director begins seeing an actress who works in experimental plays. She too leaves after telling him that she is carrying another man's child. In his quest for meaning, all the director manages to find is meaningless sex and lots of metaphors for isolation and abandonment: fog, open doors, empty landscapes.